@phdthesis{batten_prehistory_2005,
	type = {{PhD} {Thesis}},
	title = {From prehistory to history: shared perspectives in {Australian} heritage interpretation},
	url = {http://hdl.handle.net/1959.14/445},
	school = {Macquarie Unversity},
	author = {Batten, Bronwyn},
	year = {2005},
	keywords = {Heritage, Urban and cultural heritage},
}

@phdthesis{batten_prehistory_2005,
	type = {{PhD} {Thesis}},
	title = {‪{From} prehistory to history: shared perspectives in {Australian} heritage interpretation‬},
	shorttitle = {‪{From} prehistory to history},
	url = {https://doi.org/10.25949/19441691.v1},
	school = {Macquarie University},
	author = {Batten, Bronwyn},
	year = {2005},
	keywords = {Urban and cultural heritage},
}

@phdthesis{beetson_exploring_2017,
	type = {Professional {Doctorate} thesis},
	title = {Exploring {Aboriginal} identity through {Self}- portraiture},
	copyright = {Kabi Kabi- E29 Gubbi Gubbi},
	url = {http://hdl.handle.net/10072/376769},
	abstract = {This exegesis examines my practice through my identity as a Kabi Kabi, Wiradjuri, Kuku Ylandji and Pita Pita woman with English, Scottish and Romany Gypsy heritage. It contextualises the development of my practice from 1997 to 2017, which is the period immediately following my graduation from an undergraduate degree until now. The major focus of the exegesis, however, is on works from the last decade, when self-portraiture became a prominent part of my practice, which I explore through a variety of media: photography, performance, painting, drawing, and sculpture. To contextualise my practice, I also examine contemporary artists who utilise Indigenous frameworks to disrupt the traditions of Western portraiture. My own work uses humour and ideas of performativity as tools to positively intervene into debates about Aboriginal identity. For example, my use of the colour pink can be understood as candy coating a difficult conversation around colonisation. I also reclaim the language of the coloniser through serial portraiture and challenge ideas of Aboriginal femininity. Contributing to identity politics art, I refuse the idea of an essential self through the idea of a performative self-portrait. One of my aims is to reclaim Aboriginal agency and to decolonise the idea of the self.},
	language = {Kabi Kabi- E29 Gubbi Gubbi, D10 Wiradjuri, Kuku Ylandji- Y78: KUKU YALANJI and Pita Pita- G6 Pitta Pitta},
	school = {Griffith University},
	author = {Beetson, Bianca Renee},
	month = jul,
	year = {2017},
	note = {ZSCC: 0000000 
Indigenous Australian},
	keywords = {Indigenous identity, Indigenous peoples},
}

@phdthesis{burgess_aboriginal_2018,
	type = {{PhD} {Thesis}},
	title = {Aboriginal {Stories} of {Victoria} {Park} {Negotiation}, consultation and engagement},
	url = {http://hdl.handle.net/2123/17969},
	school = {University of Sydney},
	author = {Burgess, Anne Maree Player},
	year = {2018},
	note = {ZSCC: 0000000},
	keywords = {Architecture, Urban design},
}

@mastersthesis{charles_telling_2006,
	title = {Telling the stories : art making as a process of recovery, healing and celebration},
	shorttitle = {Telling the stories},
	url = {https://researchbank.rmit.edu.au/view/rmit:6250},
	abstract = {I am a Latje Latje man born and raised in Mildura. I am a contemporary artist, a dancer and a father. I began dancing with the Latje Latje dance group when I was four. I come from river country. I spent the first six years of my life on the banks of the M},
	language = {en},
	urldate = {2019-10-20},
	school = {RMIT University},
	author = {Charles, C.},
	year = {2006},
	note = {ZSCC: 0000000},
}

@phdthesis{dekruyf__2017,
	address = {Canada},
	type = {Master of {Arts}},
	title = {" {Citizens} minus?": urban {Aboriginal} self-determination and co-production in the {City} of {Calgary}},
	url = {https://www.proquest.com/dissertations-theses/citizens-minus-urban-aboriginal-self/docview/2010534081/se-2},
	school = {University of Lethbridge},
	author = {Dekruyf, Katherine A},
	year = {2017},
	keywords = {Urban planning},
}

@phdthesis{doyle_resistance_2019,
	type = {Master of {Planning}},
	title = {Resistance {Is} {Never} {Wasted} - {Defending} {Māori} {Cultural} {Heritage} with {Radical} {Planning}},
	url = {https://ourarchive.otago.ac.nz/bitstream/handle/10523/9476/DoyleCassino2019MPlan.pdf?sequence=1},
	school = {University of Otago},
	author = {Doyle, Cassino Thane},
	year = {2019},
	note = {Publisher: University of Otago},
	keywords = {Maori, Urban planning},
}

@phdthesis{dunn_brambuk_1990,
	address = {Melbourne, Australia},
	type = {Undergraduate},
	title = {Brambuk {Living} {Cultural} {Centre} and the {Remchingen} {Kulturhalle},},
	url = {https://cat2.lib.unimelb.edu.au:443/record=b2446054~S30},
	school = {University of Melbourne, Faculty of Architecture},
	author = {Dunn, Michelle},
	year = {1990},
	note = {ZSCC: NoCitationData[s0]},
	keywords = {Architecture},
}

@phdthesis{johnson_making_2019,
	type = {{PhD} {Thesis}},
	title = {Making {Civic} {Space}: {A} {Comparative} {Study} of {Civic} {Space} {Design} in the {Contemporary} {Settler} {Societies} of {Australia} and {New} {Zealand}},
	shorttitle = {Making {Civic} {Space}},
	url = {http://hdl.handle.net/11343/238551},
	school = {University of Melbourne},
	author = {Johnson, Fiona Claire},
	year = {2019},
	note = {ZSCC: 0000000},
	keywords = {Architecture},
}

@phdthesis{lochert_architecture_1994,
	type = {{PhD} {Thesis}},
	title = {Architecture and the {Construction} of {Aboriginality}},
	school = {Thesis, Royal Melbourne Institute of Technology},
	author = {Lochert, Mathilde},
	year = {1994},
	note = {ZSCC: 0000002},
	keywords = {Architecture},
}

@phdthesis{mckemey_developing_2021,
	type = {{PhD} {Thesis}},
	title = {Developing cross-cultural knowledge ('right way'science) to support {Indigenous} cultural fire management},
	url = {https://hdl.handle.net/1959.11/30852},
	school = {University of New England},
	author = {McKemey, Michelle B},
	collaborator = {Reid, Nick and Ens, Emilie and Hunter, John and Ridges, Malcolm},
	year = {2021},
	note = {Publisher: University of New England},
	keywords = {Landscape architecture, Urban planning},
}

@phdthesis{norman-hill_reclaiming_2020,
	type = {Doctor of {Indigenous} {Philosophy}},
	title = {Reclaiming {Darug} history: revealing the truths about settlement on {Darug} {Ngurra} through the lens of an {Australian} {Aboriginal} historical research methodology},
	url = {ttps://doi.org/10.25918/thesis.70},
	school = {Southern Cross University},
	author = {Norman-Hill, Rosemary},
	year = {2020},
	note = {Publisher: Southern Cross University},
	keywords = {Land rights, Landscape architecture, Urban and cultural heritage},
}

@phdthesis{obrien_aboriginality_2006,
	address = {Brisbane},
	type = {{MPhil} thesis},
	title = {Aboriginality and architecture : built projects by {Merrima} and unbuilt projects on {Mer}},
	shorttitle = {Aboriginality and architecture},
	url = {https://espace.library.uq.edu.au/view/UQ:194135},
	abstract = {Few occasions present an opportunity to withdraw from the time-cost mantra that constantly threatens to cripple design thinking in the 'real world' of architectural practice. As such, the following research by design is one of those rare moments permitting a sustained opportunity for insightful design reflection as a practitioner. It occurs after ten years of practical experience immersed in the subject at hand and lands squarely on the crossroads of my holistic architectural development. This is the net in which this document is cast.As a practitioner (and occasional design tutor), I am fascinated by the specific design problem of proposing a culturally responsive architecture. The projects I engage with are what I consider the fundamental projects that sponsor, support and affect the day-to-day events of the Aboriginal community at large. Put another way, I am constantly immersed in the dynamic relationship between Aboriginality and architecture due to my cultural, educational and professional experiences. The result is that I have collected a substantial array of experiences over the past decade that I now think needs to be re-considered and recorded (at the very least for posterity). As such, I am convinced that a design based form of research will allow me to draw upon these previous experiences in order to present a meaningful body of knowledge that will not only reveal a culturally derived design position but also illustrate it as an active agent\ in engaging hypothetical design case studies.This thesis document is, for the most part, a subjective document. This is the inherent nature of design and it has affected the research in its entirety. Through a series of design led considerations, this research comprises four parts that aim to illustrate the relationship between Aboriginality and architecture.The first part is a reconsideration of completed design projects (that I have been involved with to varying degrees) against a limited (but potent) body of literature that aims to establish certain semiotic, ideological and re-presentation issues relevant to an architecture engaging Aboriginal contexts. This opportunity for reconsideration reveals a further criterion of design meaning that becomes the basis for initiating the design case studies in the next stage.The second and third parts constitute a series of active design investigations. These parts take the previously revealed ideas of meaning and investigate three design case studies on Mer in the eastern Torres Strait Islands. Three projects provided extensive design investigation opportunities, namely, a Church building for the Church of the Torres Strait congregation, an Elders Meeting Place, and a Keeping Place and Workshop. Each project had particular idiosyncrasies that upon completion resulted in observations best described as design intent. It also became clear that there was 'something else' present in the completed projects that would shift the discussion in a new direction. The fourth part represents a period of reflection on the previous stage in order to reveal the 'something else' emerging as an unconscious design driver. It uncovers the notion of liminal space, or the space\ in between, as a means of broadening an understanding of the 'relationship' originally pursued. The three design case study projects are renewed specifically to find these liminal moments and extract an understanding of the greater condition. What is further encountered is the greater holistic context, or 'culture-scape', that any project is part of.The fundamental realization that occurred through this design research was the formulation of a Spatial Diagram that illustrated my perception of space (and time) as a cultural construct that anticipates those moments of symbiosis. This revelation has become the pivotal moment establishing a personal critical position from which I am able to evaluate a broader notion of architectural design in practice (and\ in education). As such the academic journey embedded within this document has delivered a set of findings that have sharpened my design thinking and reset a new course of exploration m my next stage of architectural practice.},
	language = {eng},
	school = {University of Queensland},
	author = {O'Brien, Kevin},
	year = {2006},
	note = {ZSCC: 0000004},
	keywords = {Architecture},
}

@phdthesis{pyle_problematising_2018,
	type = {{MBA}},
	title = {Problematising the wickedness of 'disadvantage' in {Australian} {Indigenous} affairs policy},
	url = {https://eprints.qut.edu.au/122956/1/Elizabeth_Pyle_Thesis.pdf},
	school = {Queensland University of Technology},
	author = {Pyle, Elizabeth Ann},
	year = {2018},
	note = {Publisher: Queensland University of Technology},
}

@phdthesis{thorner_self-centering_2003,
	type = {{PhD} {Thesis}},
	title = {Self-{Centering} {Aboriginalities}: {An} {Examination} of {Three} {Aboriginal} {Cultural} {Centers} in {Southeastern} {Australia}},
	shorttitle = {Self-{Centering} {Aboriginalities}},
	url = {https://cat2.lib.unimelb.edu.au:443/record=b2833124~S30},
	school = {University of Melbourne, Faculty of Arts},
	author = {Thorner, Sabra G.},
	year = {2003},
	note = {ZSCC: 0000001},
	keywords = {Architecture, Urban and cultural heritage},
}

@phdthesis{toone_aboriginal_2016,
	address = {CAnberra},
	type = {{PhD} {Thesis}},
	title = {Aboriginal {Cultural} {Heritage} on {Farmlands}: {The} {Perceptions} of {Farmers} of the {Tatiara} {District} of {South} {Australia}},
	url = {https://openresearch-repository.anu.edu.au/bitstream/1885/127456/1/Toone%20Thesis%202017.pdf},
	school = {Australian National University},
	author = {Toone, Gary Robert},
	year = {2016},
	note = {Publisher: The Australian National University},
	keywords = {Urban and cultural heritage},
}